When we started working on this project, one of the characteristics we kept emphasizing was that of placeโ€”be it the city, region, or biome that we are from. In many of our conversations, โ€œPrairiesโ€ became the wordโ€”the catchallโ€”for the complexity of the place we were trying to encapsulate. As the project progressed, we started to wonder what exactly we meant when we said “making art in the Prairies,” or, “in the West.” With that question in mind, we decided to focus our first season on the Contours of Identityโ€”in this case Prairie identity, and all the other ways of describing the land west of Ontario and east of the Rocky Mountains. Over the next few months we will have conversations, produce writing, and think about how we begin to answer this question.

Three blue pencil drawings on creamy white paper. The first resembles a piece of fabric being hung from a line. The second resembles a seamless background roll. The third resembles a piece of paper that has been torn into pieces and is exploding in all directions.
Nic Wilson, “Backdrop Study,” 2025, pencil on paper.

Stones in a Box: Each One Labeled โ€œParable of Successโ€

Artist and writer Nic Wilson offers an essay about art, success, and how the two collide โ€” in a form true to Nicโ€™s practice. Read More…


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