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  • The Public Studio – An interview with Jessica Fern Facette

    The Public Studio – An interview with Jessica Fern Facette

    As COI prepares for the end of our first season, I wanted to speak again with Jessica Fern Facette, the first artist interviewed in Season One. Fern’s practice extends into her working life through her studio and store, Fern’s School of Textile Craft, and I wanted to know more about how she approaches blending her…

    Read more: The Public Studio – An interview with Jessica Fern Facette
  • Expanding the Frame: An Interview with Deanna Bowen

    Expanding the Frame: An Interview with Deanna Bowen

    Deanna and I have spoken numerous times about the role of artists in this moment of Canadian nation-building, working together to clarify our thinking on it. The discussion that follows is condensed from several conversations between December 2025 and February 2026 and has been edited for length and clarity. Read More

    Read more: Expanding the Frame: An Interview with Deanna Bowen
  • cîpay sakahikanak

    cîpay sakahikanak

    Erasure and defacement concoct ghosts; I don’t want to haunt you, but I will. – Eve Tuck and C. Ree Read More

    Read more: cîpay sakahikanak
  • Nomad Land: An Interview with Michelle Deanne Schultz

    Nomad Land: An Interview with Michelle Deanne Schultz

    If you’ve worked in the arts sector in Alberta over the last ten years, you’ve probably come to know the name Michelle Deanne Schultz—through her work as the director of dc3 Art Projects and Bookshop, as the former executive director of Latitude 53, or, most recently, as an independent arts consultant and strategist. Those experiences…

    Read more: Nomad Land: An Interview with Michelle Deanne Schultz
  • The Beauty and Joy of Spending Time with Artists: An Interview with Conor McNally

    The Beauty and Joy of Spending Time with Artists: An Interview with Conor McNally

    When I watched Conor McNally’s 2017 film ôtênaw, I knew I wanted to find an excuse to speak with him and learn more about his approach to filmmaking. I was taken by the amount of space Conor offers within the film: space for Dwayne Donald, the Nêhiyawak storyteller and educator who narrates the film throughout,…

    Read more: The Beauty and Joy of Spending Time with Artists: An Interview with Conor McNally
  • Muslims in the Prairies: Voices from the Archives

    Muslims in the Prairies: Voices from the Archives

    For over a century, Muslims have been part of the diverse fabric of Canada, nowhere more so than in the Prairies. Investigating early newspaper archives, Nadia Kurd explores stories about the early Muslim community and helps to reveal the historic narratives that shape our ideas about Muslims in the Prairies. Read More

    Read more: Muslims in the Prairies: Voices from the Archives
  • Future Prairie

    Future Prairie

    Future Prairie (Remediation Plot) is a collaborative artwork led by Api’soomaahka, Alana Bartol, Kara Matthews, and Latifa Pelletier-Ahmed at the Coutts Centre for Western Canadian Heritage. Rather than restoring land for human use, Future Prairie supports the recovery of prairie ecosystems, creating a habitat for native species. The project embraces plant-led processes, ecological reciprocity, and…

    Read more: Future Prairie
  • Artists in a Time of Nation-Building – Part One

    Artists in a Time of Nation-Building – Part One

    I wonder about the role of artists within this “elbows up” climate in which Canadians are banding together around Canadian identity more than I, at least, have ever witnessed before…Read More

    Read more: Artists in a Time of Nation-Building – Part One
  • Yaniya Lee: Writing as Witnessing

    Yaniya Lee: Writing as Witnessing

    In October of 2025, writer Yaniya Lee spent a week in Edmonton at the invitation of the Mitchell Gallery. Across her week here, she spent time getting to know artists and the artistic community, all the while working to situate and place these Edmonton artists’ methods and approaches within larger contexts. Near the end of…

    Read more: Yaniya Lee: Writing as Witnessing
  • Art is not in some far-off place, and neither is rapture

    Art is not in some far-off place, and neither is rapture

    Muriel N. Kahwagi But how many of us are weeping at public art galleries? And if that’s not the point, then what is? What do we want art to do to us? It is a question that is somehow both easy and hard to answer—one that shapes how we approach what kinds of art we seek out, engage with, and make. Muriel N.…

    Read more: Art is not in some far-off place, and neither is rapture
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